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The Remains Of Killdeer Mountain

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The Remains Of Killdeer Mountain

Industry Encroaches On Historical Landmark
By Dakota Wind


Killdeer, N.D.– A Lakota tradition is that blue is a sacred color, all colors are, but blue is special. It’s the color of heaven. It’s the color of Iŋyaŋ’s (Stone's, or Rock's) sacrifice and of life that came forth in the Lakota creation story.


Aŋpó, the sun, stepped above the far horizon and golden light poured into the Mnišoše (Water-Astir; Missouri River) valley. The sky was clear and clean. Not a cloud in heaven dare bar the sun today. An uncle of mine likened days like these to be very special. ”Waŋžila tȟó,” I heard him breathe out after a long yawn of air, “It means complete blueness or blue oneness.


A quiet wind kissed me on the face and through my hair on the way to my car. A wave of melancholy took me momentarily as I remembered my uŋči(grandmother) on mornings like this. She’d rise when the sun was just a promise of light on the lip of the world and down a tall glass of water and pray in-between deep draughts, then she’d ready herself for a walk along the river.



The drive to Killdeer was pleasant. I carpooled with friends and we exchanged pleasant conversation on the drive west. Both are archeologists and shared stories about work in the field. Conversation made the trip short and soon enough we were in the rumbling city of Killdeer.


We stopped at the city park where a motley collection of local landowners, historians, more archaeologists, a biologist, and members of various organizations had gathered in fellowship to see Killdeer Mountain before more industrial development lay claim to the earth.


I am reminded of an interpretation of eucharist after a round in introductions. It’s a religious term generally held to mean the part of a Christian service in which the Gifts are brought forward, the Thanksgiving. One of my university professors, a Benedictine sister, in class one day said that, too, when people come together for a common purpose, at a common time, and at a common place, that it is eucharist.



 The introductions in and of itself, was held in a circle. There might not have been prayer, but I felt something mutual pass among everyone who was there.

A few local landowners, the Jepsons and the Sands, hosted a picnic on the rise of the west side of Killdeer Mountain. The modest spot of land was an old tipi encampment site. Tertiary flint flakes lay scattered about on unturned soil. Native grasses, medium or middle grasses, grew unhindered about the gentle rise. The gentle wind combed its breeze through the grass, the trees shushed the landscape, and thousands of native flowers crowned the hill in yellow, purple, blue, pink, and white.



 Ancient cracked and worried stone testified to archaeologists that the steppe was once under a vast freshwater ocean millions of years ago. Old shattered stone broke the soil in defiance of the wind and rain. The formations looked deceptively small from a distance. Either I shrank as I approached the stones or they grew with each step.

In the days of legend, the Mandan said that the son of Foolish Boy was killed at the plateau by the spirits who dwelt there. Foolish boy retaliated by taking up his staff and struck the plateau, cleaving the plateau as we see it today. The Mandan know the mountain by another name, Singing Butte.


I embraced the illusion of the changing hillside and hiked up to the western most point of the Killdeer plateau. Deer lived there. Careless prances quickly turned to startled runs at the arrival of people. They were sunning themselves only moments earlier in the grassy rise as evidenced by depressions in the grass. A few ground plums were nibbled on and abandoned, but there were a few more near the top.


Looking north, here's one of the ravines which leaves the west side of Killdeer and goes west to Elk River (Little Missouri River).

From the top of the western most rise of Killdeer Mountain I saw two ravines stretching west through the cracked thirsty earth to Heȟáka WakpáMakȟočhe (Elk River Country; the Little Missouri River). There, in 1864, after Sully’s assault on Sitting Bull’s Huŋkpapȟa camp on the southeastern rise of Killdeer Mountain, he ordered his soldiers to pursue the Lakȟóta into the Badlands.


The Lakȟóta had been at Killdeer Mountain for a few reasons, but the most important to the people was that it was a place to hunt. In Lakȟóta, they call the plateau Tȟáȟča Wakhúte, The Place Where They Kill Deer. In July, they were hunting and gathering some of the very foods I saw on my hike. Kȟáŋta (wild plums), maštíŋčaphuté (buffalo berries), čhaŋpȟáhu (chokecherry bushes), ptetȟáwote (ground plums) all upon the hillside in abundance.



 General Sully was there to level the might of the U.S. military upon the Sioux in a punitive campaign for the Eastern Dakota’s participation in the 1862 Minnesota Dakota Conflict. Aside from obliteration of homes, the deaths of as many as 300, about 150 prisoners, and destruction of foodstuff for the coming winter, Sully’s aggressive campaign succeeded in shaping the opinion of the Huŋkpapȟa and other Lakȟóta tribes throughout the era of western settlement. Warfare between traders, land surveyors, the railroad, settlers, and the Lakȟóta continued throughout the 1860s and 1880s.


I descended the western point of Killdeer Mountain enjoying the sun that warmed me and the breeze that cooled me. The hikers I was made a circuit of our ascension and descended on a ridgeline back to the old encampment site. There, the contentment of edification and gratification washed away from me at the site of two oil stakes. Did I miss them somehow while the picnic was happening earlier? Did I look past the stakes? Did I preoccupy myself with the setting of old encampment site? I must have, and a dreadful feeling of fatalism filled me.


Industry will be here soon. The earth will be turned, a well pad and a road will go in, and physical memory of a Lakȟóta camp will vanish entirely.


Mr. Rob Sand and Ms. Lori Jepson reflected about the experience of preserving Killdeer Mountain. 

Two local landowners expressed their heartfelt wishes that they could have done more. When the oil companies came to gauge the earth for mineral extraction, they weighed the hearts and minds of an otherwise close-knit community. Some individual land owners were lured by the promise of an income far more than what the humble rancher earns through his sweat.


Rob Sand, one of the local landowners, was asked by a visitor from out of state if there was any one thing he could change, and without a moment’s hesitation, Sand simply replied, “I would change the minds of the Industrial Commission.” Sand, a common man who holds the land dear as his settler ancestors and who finds beauty in the untouched and unturned land, carefully articulated - but not once criticized the character of the men who make up the North Dakota Industrial Commission nor the Director of the North Dakota Department of Mineral Resources - his deepest desire to preserve the history and heritage of the Killdeer Mountain.


The oil under the Killdeer plateau isn’t much, somewhere between three and three and a half million barrels of oil, but its enough that it’s considered a waste if its left there. That’s enough oil to power to the United States for over four hours, if it’s going to the U.S.


A golden eagle flew straight out of a nest near the top of Killdeer Mountain. 

A visit to the Killdeer Mountain conflict site is capped by the regal nature of the eagles’ aeries on a south facing cliff side of Killdeer Mountain. Golden eagles ride the endless prairie wind, a wind that has been constant since before the landscape was under the ocean, before Foolish Boy cracked the plateau.


Jagged cracked stone reaches out from Killdeer Mountain.

The climb up the mountain to the summit to where Medicine Hole sings is filled with pauses to enjoy the view by some. I look at the degree of ascension, anywhere from a 30° incline at the base to 90° on the cliff side. I imagine women holding babies and shepherding children in an escape from Sully’s command and thanked God I’m here today.


Indian Paint. My pictures of this flower did not turn out. Here is an image from Wikimedia Commons. 

Orange lichen clings to shattered stone. A forest of stunted white birch grows on the south face about half-way to the flat summit. More native flowers, purple, grow delicately in the cracks and crevices. Some Lakȟóta smile and call it “love medicine.” I recognize one yellow flower that some call “Indian Paint,” that one could acquire yellow or purple pigment.


Along the way, a work crew had placed seismic sensors to measure the impact of oil wells a half-mile away, which makes me conscience of the well flares and further away, constant truck traffic on the roads. Men would ascend the plateau to remove their selves from the noise and distraction of everyday camp life. In seclusion, they prayed under a searing sun, they prayed in the winds, they prayed in moonlight and starlight. 

People still go to pray on Killdeer Mountain.


A traditional pilgrim created a medicine wheel from the broken white stone about the summit. I left a handful of seeds before I descended. The evening was as cloudless as the morning, sunlight golden again in the evening, the same breeze or perhaps a different one entirely, kissed my brow as I stepped into Killdeer’s shadow.


By day the air is drawn into Medicine Hole, at night it is exhaled like breath. The wind isn't seen by the dust of the earth that comes out, it is hear, and what is heard is the song of Makȟočhe, of Grandmother Earth. 

Wamduska Bde: The Origin Of Stump Lake

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Sunset at Stump Lake, N.D. Photo By Aaron Barth, The Edge Of The Village.
Wamduska Bde: Serpent Lake
The Origin Of Stump Lake
By Louie Garcia, Spirit Lake Oyate

Note: I received a message, "What is the native name for Stump Lake?" Not knowing much about the area around Spirit Lake, I turned to Lekshi Douie (Uncle Louie) an honored elder and tribal historian of the Spirit Lake Oyate (Nation). Leksi Douie is a traditional and cultural resource as there can be. It is my twice my honor to know him and to share this traditional story of how Stump Lake's name came to be. Lekshi Douie shared with me a conversation he had a gentleman from Indiana about this very thing.

Spirit Lake, N.D. - They say a long time ago that there was no Stump Lake. The story goes that an underground fire, possibly a vein of coal, burned continuously for about forty years. The ground caved in upon itself, and water from nearby Spirit Lake rushed in to fill it. The tree stumps protruded from the lake inspired the Metis to call it Lac du Chilots, Lake of Snags, or Stump Lake.

The Dakota who lived in the region say that there's an ancient entity that inhabits Stump Lake, a great serpent they call in their language Wamduska, which means Creeping Thing or Serpent, which is one of sixteen spirits of Unktehi, or Large Water Monster. The Dakota came to call the new lake Wamduska Bde, or Lake of the Serpents.

The explorers, traders, and then settlers chose to call it Stump Lake. A name that reflects the natural history of the lake. Lake of the Serpents might have kept people away. 

Today Stump Lake is a place for recreation. Among the many events, which one might call the culture of North Dakota, are a threshing bee, a polka fest, craft shows, music & art, and a country fair. Visit Stump Lake Park for more information.

The 1863 Apple Creek Conflict 150 Years Later

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A composite panorama of Apple Creek from the northeast point of Pictured Bluff. The image is southwest (l) to north (r). 
The Dakota Conflict In Dakota Territory

The Apple Creek Conflict 150 Years Later

By Dakota Wind

Bismarck, N.D.– The Mníšoše, Missouri River, moves determinedly along the ancient valley it has carved over thousands of years. The river flows in the very heart of the Great Plains, in fact, aside from the wind, it’s a defining feature of the prairie steppe. Its Lakȟóta name means “The Water A-stir” in reference to its muddy stirred up appearance in historic times. Commercial traffic on the river in the nineteenth century came to call it “The Big Muddy.”


Tȟaspáŋla Wakpála, Apple Creek, meanders along its own course from a field north and east of present-day Bismarck, N.D. The Menoken Indian Village rests along the quiet creek, a silent witness to trade in what archaeologists call the Late Woodlands period. The creek’s name refers to the tree that bears the tiny edible thorn apple.


Where the Tȟaspáŋla Wakpála converges with Mníšoše is Mayá Itówapi, Pictured Bluff. There, along the bluff are caves where the sediment is layered in colors. A testament to the changing climate throughout the ages of the world to the geologist, but to the Lakȟóta, it was a place to gather natural yellow and red pigments to create paint.


There was a conflict between the Pȟadáni (Arikara) and the Iháŋktȟuŋwaŋna (Yanktonai) in the 1830’s. According to the John K. Bear winter count the year is recorded as Čhaŋnóna na Pȟadáni ob thi apá kičhízapi, The Wood-Hitters (a band of the Iháŋktȟuŋwaŋna) fought with the Arikara. 


The Blue Thunder Winter Count, variant III.

The Waŋkíya Ťho, Blue Thunder,winter count correlates this event at a Dakota winter camp located below Čhaŋté Wakpá, Heart River. According to Blue Thunder, the assailants are variously identified as Arikara, Mandan, or Assiniboine. The Mandan Indians have the Foolish Woman winter count, and they record that they destroyed fifty lodges. The Tȟatȟaŋka Ska, White Bull, winter count has that winter as Wičhíyela waníyetu wičhákasotapi, the Yanktonai were almost wiped out that winter.


The John K. Bear winter count also mentions the Dakota Conflict in its 1863 entry: Isáŋyatí wašíčuŋ ob okȟíčize, the Santee warred with the whites. The Minnesota Dakota conflict is also reflected in the Red Horse Owner, Roan Bear, and Wind winter counts.


Clell Gannon, a depression era artist, painted this scene of General Sibley's command in pursuit of the Sioux. The painting can be found in the south vestibule of the Burleigh County Courthouse, Bismarck, ND.

The fight between the two tribes paled in comparison when in 1863, General Sibley and his command of about four thousand soldiers engaged the Dakȟótaand Lakȟóta people in a running battle lasting two weeks, from Big Mound (near present-day Tappen, N.D.) to Pictured Bluff.

Sitting Bull counts coup on one of Sibley's men and steals a mule at the Big Mound Conflict. The image was Sitting Bull's own account, from "Sitting Bull's Heiroglyphic Autobiography" which appears in Stanley Vestal's "Sitting Bull: Champion Of The Sioux."

In Tȟatȟáŋka Íyotake’s, Sitting Bull’s, own pictographic account, he placed himself at Big Mound where he rode into Sibley’s camp, stole a mule, and counted coup. It is almost entirely certain that if this great leader was at the beginning of the running battle, he was there to the end at Pictured Bluff.





The running battle began as a masterful retreat on July 24, 1863, across hilly terrain in a sinuous line back and forth across streams. This constant crossing, in effect, caused Sibley to lag behind enough for the Dakȟótaand Lakȟóta to gain enough lead time that the women, children, and elders could navigate their crossing waŋna hiyóȟpayATȟaspáŋla Wakpála hená Mníšoše, where the Apple Creek converges with the Missouri River.


That critical crossing came on July 29, 1863. The oyáte, people, abandoned their thiíkčeka, lodges, on the broad flood plain of the Mníšoše. A thousand lodges encircled two little lakes, sloughs in later years. They crossed the Mníšoše in as many as five places below Pictured Bluff. The warriors rallied together, perhaps under the leadership of Tȟatȟáŋka Íyotake or Phizí (Gall), and took the high ground a-top Pictured Bluff.


The women, children, and elders who made a successful crossing signaled the warriors with flashes of sunlight using trade mirrors. The warriors in turn, signaled back to their loved ones then they turned their attention to Sibley’s command. There is no exact number of warriors, but if there were a thousand lodges, then there was at least one able-bodied man or warrior per lodge. Using this projection, the warriors were outnumbered four-to-one.





Sibley and his men arrived on the scene, July 29, 1863, to witness flashes of light in communiqué to those in safety across the river. The general struck camp and named it “Camp Slaughter” after a doctor in his command. Over the course of the next few days, Sibley could not take the hill and some of his men were ambushed in the middle of the night. The morale of his soldiers suffered and on July 31, withdrew his men from the field when the enemy seemingly disappeared.


The Apple Creek Conflict is the only fight in the Punitive Campaigns of 1863 & 1864 in which the Dakȟóta and Lakȟóta chose the battlefield, met their aggressor, and held them off until they withdrew. This clear victory became entirely overshadowed by the tragedies of Iŋyáŋsaŋ (Whitestone Hill) and Tȟáȟča Wakútepi (Killdeer), and the victory of Pȟežísluta, the Battle of the Little Bighorn in 1876.




An unknown, or perhaps forgotten, artist pictographed this scene which was originally identified by Mike Cowdrey as "The Battle Of Whitestone Hill," but is quite possibly a Yanktonai account of the Apple Creek Conflict.

Susan Kelly Power, an esteemed uŋčí (grandmother) of the Iháŋktȟuŋwaŋna Dakȟóta and enrolled member of the Standing Rock Sioux Tribe and great-granddaughter of Chief Two Bear, has the oral tradition that places three warriors there at the Apple Creek Conflict: Callous Leg, Little Soldier, and Has Tricks. There must certainly be more warriors and oral traditions amongst the Iŋyáŋ Wosláta Oyáŋke, the community of Standing Rock, and others.


Today, a park named for General Sibley rests virtually where his Camp Slaughter once stood, where some of the Dakȟóta and Lakȟóta made their crossing. Bismarck has turned a battlefield into a place of recreation. There is no signage explaining the name of the park, nor of the conflict.

The landscape has been appropriated and development has erased the battlefield; Dakȟóta and Lakȟóta oral tradition recalls that the soldiers chased the people into the river. 

On July 29, 2013, 150 years after Sibley’s command withdrew entirely from the Apple Creek Conflict, the anniversary passed in silence. 

The Origin Of Tokio

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The Origin Of Čhaŋbdáska Otȟúŋwahe (Tokio, ND)
Tókhiya (Where Is It) Is Where Its At
By Louie Garcia for the History And Culture Of The Spirit Lake Nation.

Note: The only changes to Garcia's original document are slight grammatical amendments and the use of the standardized orthography employed by the Lakota Language Consortium. In place of  words like "Tokia" and "Canbdaska Otunwe," are "Tókhiya" and "Čhaŋbdáska Otȟúŋwahe."

The town of Tokio began in 1906 when Victor Ruth built a general store in anticipation of the Great Northern Railroads arrival. The story begins with the construction of the store building in the middle of nowhere. An unidentified elderly Indian observed the carpenters at work and asked Alex DuMarce, the local interpreter, what these crazy men were building. Mr. DuMarce or GuGu (Burnt) informed him a store was being built, where he could buy or trade for general merchandise. The elderly Indian only half understanding kept repeating “Tókhiya (Where)?" The carpenters remembered part of the word, and when it was time to pick a name for the new town, suggested Toki. Everyone agreed and the name was sent to J.J. Hill the President and Owner of the Great Northern Railroad. He disapproved, “we will just add an ‘o’, and call this place Tokio”. Unfortunately and incorrectly Mary Ann Williams in her book, Origins of North Dakota Place Names was informed the term "To-ki" means "a gracious gift." This error as continued on to this very day.

A hundred years ago when the Dakota language was used on a daily basis, Indian people had their own name for most of the local towns. The rational for this is obvious; the town names selected was foreign and difficult to pronounce for Native people. The official Indian name for Tokio is Čhaŋbdáska Otȟúŋwahe. Čhaŋ (Chahn) means wood; bdáska (b'DAH skah) means flat; and Otȟúŋwahe (oh-TOON-wah-hay) means a town. The name was used because Tokio was the only place in the area where you could buy ‘flat wood’ or lumber.

Tokio officially became a town when Victor Ruth became the first postmaster on January 26, 1907. The town is located in Section 2, T.151, R.64W, Woodlake Township, Benson County. Originally the town was to be located two miles north of the Doyle homestead, and named Revere, the railroad however changed the location. Today the postal Zip Code is 58379. The largest number of residents recorded was 112 in the 1930 and 1940 censuses. Today about 35 people live in the old townsite, but south, across the road over 200 people live in the Tribal Housing circle.

On August 29, 1907 the first train arrived in Tokio on the Great Northern Aneta line. In 1908 there was only the Ruth Store and Post Office. By the 1920’s Tokio reached its height. There were two stores, two poolrooms, one café, one beer hall, one restaurant, a bank, lumberyard, butcher shop, school, Catholic Church, three-grain elevators, and a blacksmith shop. The depression of 1929 killed the town, and people began to move away.

Bibliography:
Origins of North Dakota Place Names: Benson, Cavalier, Pembina, Ramsey, and Walsh Counties. By Mary Ann Barnes Williams. Bismarck Tribune 1976, Page 14.


North Dakota Place Names by Douglas A. Wick. Prairie House, Fargo, ND 1989, Page 194.

Whitestone Hill 150 Years Later

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Whitestone Hill 150 Years Later, 1863-2013
The Bloodiest Massacre On The Great Plains

By Dakota Wind

Whitestone Hill, N.D. – The wind blew in gusts across the vast open plains. The Dakota and Lakota people who have lived here for millennia are people of the stars, and some of them say too that they are people of the wind. The wind isn’t just the defining characteristic of prairie life, but a part of the indigenous culture.


The Dakota say that the patterns on ones’ fingertips indicate which direction the wind was blowing on the day of one’s birth. The swirling pattern on one’s crown was taken to mean not just the living presence of one’s spirit, but the wind that brings that spirit. Sometimes, a very powerful wind was even referred to as Táku Wakȟáŋ Škaŋškáŋ, Something With-Energy Is Moving About. Indeed, a Dakȟótaelder visiting from Crow Creek, SD declared that the strength of the wind was an indication that the spirits were there at Whitestone Hill.


On Saturday, August 24, 2013, over 300 people from across North Dakota and the Great Plains gathered at Whitestone Hill near Kulm, ND to remember the bloodiest massacre of Dakota Indians following the largest mass execution in the history of the United States, which involved thirty-eight of the Dakota Indians in Mankato, MN, Dec. 26, 1862.


Despite high winds, and green lodge assemblers, this beautifully painted lodge was set up.

On this day, someone from Lake Traverse, the Sisseton-Wahpeton Oyate, brought a beautifully painted thipí rendered in warm earth tones of red, orange, and brown with constellation patterns embellishing the outside of the lodge. A call went out for assistance to erect the lodge on that windy day and volunteers rushed to assist.


They say in the days of memory, that women could erect a lodge in as little as ten minutes. Their nomadic life way demanded a lifetime of practice, but on this day Dakȟóta women supervise a handful of non-native men, there’s even a Chippewa in the mix helping to get the lodge up.


Renowned and eminent flute-player and hoop dancer, and enrolled member of the Standing Rock Sioux Tribe, Kevin Locke, was called forward to begin the day with a prayer. At the end of the afternoon’s lectures and reflections, Locke would share the message of vision and unity of the human spirit with the hoop dance, traditional stories, and flute songs.


Locke performs the hoop dance, pictured here at Williston State College. 

Locke, known among the Dakȟóta and Lakȟóta as Tȟokéya Inážiŋ, The First To Arise, is also a descendant of Ta’Oyáte Dúta, His Red Nation, who is more widely known by the name Little Crow. Locke doesn’t make a public issue about his great-grandfather, probably because Tȟaóyate Dúta was not at Whitestone Hill, but had died of a gunshot wound in a field near Hutchinson, MN in a fight with a farmer.


One of Tȟaóyate Dúta’ssons, Mokáȟniȟya,had fled west to the Húŋkpapȟa and was among them in the running battle from Big Mound to Apple Creek. Mokáȟniȟya survived the Apple Creek conflict in late July by cutting a reed, grabbing a rock, and jumping into the Missouri River. There he waited until it was safe for him to cross. But this wasn’t a story that Locke shared at Whitestone Hill, it was a story shared with this writer in Locke’s home. Locke’s message this day was instead based on the ideal of what Dakȟóta is, as ally, as friend, and as peace.


Richard Rothaus, owner and director of Trefoil Natural and Cultural out of Minnesota, was invited to present about the causes of the 1862 Minnesota Dakota Conflict, and expertly tied the Dakota Conflicts in Minnesota and Dakota Territory to the American Civil War which was being waged concurrently in the south.


Aaron Barth, a historian and archaeologist from North Dakota State University, offered his thoughts about the Whitestone Hill massacre as an agent of genocide in American history. Barth facetiously suggested attaching cables to the current monument atop Whitestone Hill and pulling it down, but in seriousness suggested a memorial be erected on site honoring the Dakȟóta and Lakȟóta.


A local city band gathered together over the lunch hour and played music themes from popular movies and other pieces. The music, while rendered in the spirit of peace, seemed decidedly out of place. At one point the band played the theme made popular in the Rocky movies. A visitor from the Sisseton-Wahpeton Oyate observed that the music was very nice but out of place and jovially said during the Rocky theme, “That makes me feel like running to the top of the hill and raise my fists and shout, ‘We’re still here!’”


A panel discussion made up of members from the Sisseton-Wahpeton Oyate and the Standing Rock Sioux shared observations regarding the history and conflict of Whitestone Hill. LaDonna Brave Bull-Allard shared her grandmother’s story of survival when her people, the Iháŋktȟuŋwaŋna Pabáska, the Cuthead Yanktonai, came under sudden and unexpected fire.


The Cuthead Yanktonai band had been proponents of the United States since 1818 when their chieftain, Waná’at’á, The Charger, was released from an internment at Fort Snelling. The Charger led the Yanktonai in a siege under the command of Colonel Leavenworth against the Arikara in 1823. The Yanktonai had no reason to fear their American allies until General Sully brought the wrath of the soldiers on them at Whitestone Hill, Sept. 3-5, 1863.


A tribal elder from Crow Creek, and a descendant of Tȟóka Khuté, Shoots The Enemy, who was captured at Whitestone Hill and imprisoned at Fort Thompson, Dakota Territory (present-day South Dakota), articulated a short explanation of the site before he departed from Whitestone Hill that afternoon. In the Ihanktowana dialect, Wičhéyena, Whitestone Hill was never called or recognized as Whitestone Hill. They called it Pa IpuzA Nape Wakpana, Dry Bone [as in “Very Thirsty] Hill Creek. “They never called it ‘Whitestone Hill,’” insists Corbin Shoots The Enemy.


Shoots The Enemy shared the story that few young men were in the village as most were out hunting. Men who were past their warrior days stayed behind with elders and youth in the village. Among the chiefs who led thiyóšpaye, an extended family, at Whitestone Hill that day are: Nasúna Thaŋka (Big Head), Taȟča Ska (White Deer), Šuŋkáȟa Napíŋ(Wolf Necklace), Mahtó Wakáŋtuya(High Bear), Hotháŋke (Big Voice, Winnebago), Mahtó Nuŋpa (Two Bear), Wáğa (Cottonwood), Hoğáŋ Dúta (Red Fish), Mahtó KnaškiŋyAn (Mad Bear), Awáska(White With Snow), Waŋbdí Wanapȟéya(Eagle That Scares), Waŋbdí Maní(Walking Eagle), Waoŋzoği (With Pants, or Pantaloons), Čhaŋ Ičú (Takes The Wood), Waŋbdí Ska (White Eagle), Tȟóka Khuté (Shoots The Enemy), and Ziŋtkála Maní (Walking Bird).


These Itȟáŋčhaŋ, chiefs, led tens to hundreds in their thiyóšpaye. There were easily at least a thousand Ihanktowana at Whitestone Hill. Several tons of food were destroyed following the massacre, thousands of dogs were killed, and as many as three hundred Dakȟóta people lost their lives, and over a hundred were taken prisoner, most of whom were women and children.


Lakȟóta language instructor, Earl Bull Head, and an enrolled member of the Standing Rock Sioux Tribe, was called upon to share a song and story. A storyteller, Bull Head opened with a few jokes about his travels to Europe and his experiences with the world before sharing a story and song he originally composed for a friend who lost his son. Bull Head’s friend was caught up in misery and heartbreak. The song came to Bull Head to inspire his friend to live a good life; it was a call to redemption and forgiveness.


A stone circle, this one about five feet in diameter, rests on private land at the Whitestone Hill site.

A local landowner invited this writer to his land nearby to view some of the features not found at the Whitestone Hill State Historic Site. On top of a rolling hill were several stone circles, several about five feet across and one measured about fifty feet in diameter, and a few great heavy anvil stones bore evidence of shaping tools over thousands of years, which reminded this visitor once again that people were coming here millennia before the conflict.


Sunset at Stoney Lake, north of Tappen, ND. This is where the Lakota engaged General Sibley's command for the second time in July, 1863.

The day ended with a buffalo feed. A long lingering line gradually worked itself through the hundreds of visitors present. Plates were piled with great cuts of lean bison meat, hot steaming potatoes, warmed beans, and handmade biscuits. Conversation ebbed and flowed as the line shrunk. The wind gradually calmed to a breeze, which in the great shade a cottonwood, actually cooled the waiting hungry crowd.


My plate was piled high and heavy with food. I took a cup of lemonade and downed it before I made it back to my car. I was hungry and the smell of roasted meat nearly made me break my fast, but I couldn’t eat. I felt the impression of my grandmother, after all these years sometimes it seems like I can smell her or sense her watching me.


Sunset at Big Mound where Sitting Bull counted coup on one of Sibley's men. Sitting Bull also stole a mule from the line in a show of bravery. This was the first engagement that summer between the Lakota and Sibley's command, July 1863.

I drove off down the dusty gravel road, over the rolling grassy hills, and out of sight from the crowd. It may seem like waste to some, but it wasn’t to me. I pulled over onto the grass, took my plate, and carried it to the side of the road. I said no prayer or benediction. I didn’t call out or cry. I could not eat there when long ago my relatives were forced to go without. It is the custom of the Dakȟóta and Lakȟóta people to take food to our relatives who’ve taken their journey. 

Pahá Kȟoškálaka: Young Man’s Butte

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Pahá Kȟoškálaka: Young Man’s Butte
Plains Indian Warfare And Bravery

By Dakota Wind

Richardton, N.D.– The Lakȟóta and the Kȟaŋğí(Crow) were once traditional enemies, that is, before the reservation era, these two tribes fought for war honors such as counting coup and stealing horses. Once in while however, these two tribes came together in great violent clashes that could not be called skirmishes, but battles.


At times warfare amongst the tribal nations in the pre-reservation era also involved the abduction of women and children. Sometimes a warparty might be mustered for the grim sake of revenge too.


The warparty that went out to steal horses did so, not just for war honors, but to keep the enemy off-balance. Having horses meant that a Thiyóšpaye, extended family, had the power to move a camp swiftly and further than those without horses. Horses meant a change in hunting too. No longer did the Oyáte, people, have to organize a community-wide effort to startle and direct a bison stampede over a cliff, which risked the safety of runners and scouts, and if unsuccessful, left them facing starvation.


Sometimes a horse raider might take advantage of a frenzied moment and on impulse abduct a woman too. That woman might then be married into the tribe. This was practical too as inter-tribal marriage, whether by formal trade or abduction, kept the blood lines open.


The John K. Bear winter count, a pictographic record of the Iháŋktȟuŋwaŋna Pabáska, Cuthead Yanktonai, recalls a full scale battle in 1710 as the year they wiped out another group whom they referred to as Wičóšawaŋ.


Cedric Goodhouse Sr. carries a story which came to him from his father, the late Innocent Goodhouse, about how a Lakȟóta horse-stealing raid to Crow country led to a young man stealing a woman there and bringing her back to his Thiyóšpaye. She grew to dearly love the Lakȟóta, and they her. When she took her journey, the Lakȟóta dressed her in her finest Crow regalia and took her home.


Another story handed down from Innocent Goodhouse was that a Lakȟóta Thiyóšpaye was camped at the base of Fire Heart Butte, north of the present-day North Dakota and South Dakota border just off HWY 1806. Late one night, the Crow made a successful horse-stealing raid to recover horses which were taken from them.


North of Spearfish, SD is the sight of Crow Buttes, where according to story, a Crow warparty were killed to the last man on the buttes there in a bloody standoff. Nine Crow Indians were shot and left there. A tragedy for certain, but also a story of bravery for not one of them pleaded for his life.


About three miles east of present-day Richardton, ND on the north side of I-94 is a little butte.It’s an unassuming hill and resembles many others on the western plains.  


The story goes, a long time ago, that a Crow hunting party numbering 106 came east to hunt. Perhaps drought drove bison east that summer, as drought drove the Húŋkpapȟa east across the Mníšoše, Missouri River, in 1863 to hunt bison which had migrated out of the dry airy region.


The Lakȟóta happened upon the Crow hunting party, immediately surrounded them, and fought them, for the Crow were not just hunting but trespassing on Lakȟótaterritory. The Crow fought to the last, until there was one left, a young man.


The young Crow ascended the butte, whereupon he sang his last song. When he finished his song he took his own life rather than be taken by the Lakȟóta.  The young man’s self-sacrifice was regarded as gesture of great courage by the Lakȟóta who regarded the butte thereafter as a very significant and special place. From that day forward, they came to call it Pahá Kȟoškálaka, Young Man’s Butte.

Mní Nažúŋspe KawéğA (Broke Ax Lake), A Tragic Love Story

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Mní Nažúŋspe KawéğA (Broke Ax Lake)
A Tragic Love Story: Painted Wood Revisited

By Dakota Wind


Washburn, N.D. – The story of tragic young love is universal. It is perhaps most widely known through the wonderful Shakespearean tale of Romeo and Juliet. It’s the age old tale of boy meets girl; a story of secret forbidden love. But whereas the story of Romeo and Juliet is fictional, this is a true story.


A summary of the tragedy is that a young Iháŋktȟuŋwaŋna (Yanktonai) man met a Miwátaŋni (Mandan; Nu’Eta, or The People as they know themselves) maiden during an intertribal trade one fall many winters ago near what was then known as Mní Nažúŋspe KawéğA(Broke Ax Lake).


This young couple fell immediately and deeply in love. When trade ended, the young man elected to stay behind with his girl. This was the custom of the MiwátaŋniIndians that the man goes to live with his wife in her mother’s lodge. But they eloped.


The Miwátaŋni have the story that the Iháŋktȟuŋwaŋna killed the young woman, while the Iháŋktȟuŋwaŋna have it that the Miwátaŋni killed the young man.


Here is an excerpt of Colonel A.B. Welch’s Oral History Of The Dakota Tribes, 1800’s-1945, Story No. 32, Story Of Painted Lake [Note: In Welch’s version, the story entangles an Arikara maiden rather than a Mandan]:


A long time ago many Indian tribes, at war with each other, were encamped on the shores of the lake now known as “Painted Woods Lake,” but at that time known to the Sioux as “Broken Axe Lake.”


A Sioux warrior flirted with an Arikara woman and they prepared to fly away.  But that night the Arikara men killed the Dakotah in the arms of newly-found love.


When the Dakotah discovered this murder, they all went to the tipi where the body lay, with the poor woman weeping over it.  They fitted arrows and shot her many times.  Then there was war for many years, and a dead tree trunk, white with age, was painted red by the Rees and their friends.  Whenever a war party of any Indians would pass that way, they would paint their war deeds upon the boles of certain dead trees as a taunt to their enemies.



Therefore, the place has become the Painted Woods place of the Indians, and the name Broken Axe Lake has passed into disuse. 

Yellow Horse's Narrative Of The Apple Creek Conflict

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Sitting Bull's own pictographic record placed him at Big Mound, where he stole a mule and counted coup on one of Sibley's men.
Yellow Horse’s Narrative Of The Running Battle
1863, From Big Mound To Apple Creek

By Dakota Wind

Bismarck, N.D.– On February 25, 1921, Yellow Horse, an Iháŋktuwaŋna Huŋkpáti (a member of the Huŋkpáti band of the Yanktonai Dakota) gave his narrative account of the 1863 Sibley arm of the Punitive Campaign to Lucille Van Solen, an interpreter, at the Cannonball Ranch on the Standing Rock Sioux Indian Reservation. Yellow Horse was seventy-five years old.


The narrative which Yellow Horse shared is of the running conflict which began on July 24, 1863 near present-day Jamestown, ND and concluded where Apple Creek converges with the Missouri River near present-day Bismarck, ND five days later.


Here is an excerpt of Colonel A.B. Welch’s Oral History Of The Dakota Tribes, 1800’s-1945, Story No. 37, Yellow Horse Talks About Battle On James River, 1863.


I was born where Jamestown is now.  We called that place Itazipa Okaksi (Bows cut with axe).  We got good bow wood there.  Not on any branch which flows in but on the river, itself, we found the wood.


I want to tell you something about the soldiers:  Some distance above where Jamestown now is, there is a big bend in the river and a sort of “Square Butte.”  A large camp of us were there one time.  There was a lake east of that place, too.  I was about seventeen years old then (1863). One time a runner came in saying that the soldiers were on the way coming.  We pulled down our tipis quickly and got away.  We went east from that place.  All of a sudden we were surrounded with soldiers.  Soldiers on white horses were on the north of us; soldiers on bay horses were on the south and others in front of us.  They started to march us back again.  It was almost night time and that night the soldiers stayed all around us. We could not get away.  We thought they were going to shoot us.  A young man started to sing about his bravery and, to do it right, he shot off his gun.


That seemed to be a signal for all the soldiers to shoot at us and they fired among us then and killed eleven of us there.  I got away and got away up north somewhere, and I thought that I was the only one left alive.  But, after a time, I found another man who had got away and we found some more after that, too.  We went down to the place where the fight had taken place.  Our skin tipis and all our buckskin clothes and everything else was burned.  All we found there was some iron we had to make fire with a stone.  We gathered all these irons up and went away.


My father and I came to the waterway about where the Bismarck penitentiary is now and then we went south from there.  We heard that Two Bears was having some trouble with some soldiers down there, so we went to see about that.  My father was killed down there and since then I have been an orphan.


Development Disturbs Significant North Dakota Historical Site

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Development Disturbs Significant Cultural Site

Killdeer Mountain: Sacred Site, Battle Field, Oil Rich

By Dakota Wind


Killdeer, N.D.– Killdeer Mountain as a natural land feature is hardly worth commenting on in a land where the view is more sky than earth. The rock appears to break out of the surrounding earth like the reach of a tired hand after a stretch and yawn. The plateau is flat and even, as if a great knife had cut the top of some mountain, as a child might decapitate a flower with a stick, but where the top of this mountain is, is anyone’s guess.


Plains Indian tribes have been coming here for ages. An old campsite on the south west side Killdeer Mountain is littered with tertiary flakes of Knife River flint, evidence that the plateau has born witness to a continual cultural occupation for thousands of years.


In those long years, untold generations of young men have ascended this step to heaven to pray, to look out upon the unmarked beautiful landscape, to look through the veil of sky above and bear witness to the vast mystery of creation. And so, Killdeer Mountain became a special place, a sanctuary, a natural cathedral.


The Lakȟóta call this special place Taȟčá Wakutėpi, Where They Kill Deer. Their name doesn’t take away from the sacredness of the site, but it was a name that notes it is a place they came to annually to hunt, and in that hunt too, offer thanksgiving.


At the top of Killdeer Mountain is a cave that descends over a hundred feet. Lakota oral tradition holds that some of the people escaped General Sully's assault by climbing down and then navigating through the series of caves and emerging west of the plateau. The cave is called Medicine Hole.

Another nation, whose cultural occupation of the area reaches back a thousand years, the Nu’Eta (Mandan), have a cultural story of a figure in their long tradition who brought his staff down upon the mountain in retaliation and broke the single plateau into two. Broken cracked rock lay about the entire step as if in testimony to this long ago punishment.


The Lakȟóta call July Čhaŋpȟasapa Wi, or The Month Of Ripe Chokecherries. Late in this month, in the year the Lakota call in the Long Soldier winter count First Fight With White Men, the Lakȟótacame to Taȟčá Wakutėpi to hunt. It was late July, 1864, when the Lakȟótamen were hunting and the women were gathering chokecherries in preparation for the long winter. It was a time of year, no different than any of the thousands of Čhaŋpȟasapa Wi before, only this time a great cloud of dust appeared to the south east of Killdeer. It turned out that it wasn’t a gange of bison.

General Sully knew this day as July 28, and he brought with him a force of about 2,200 men and he was looking for a fight. His objectives were to engage and punish any hostile Sioux who partook in the 1862 Minnesota Dakota Conflict, and to utterly destroy their food stock and camps.


The Lakȟóta say that a lone warrior rode out and taunted the soldiers. Sully ordered this lone rider killed immediately and set his sharpshooters upon this task. Truly, Sully engaged in battle without parley as though there were no other alternative. At the end of the day, as many as 150 Lakȟótalie dead or dying on the field. Children who were inadvertently left behind in the wild melee were set upon and murdered to the last, their delicate scalps carved from their precious heads.


A map outlining the oil wells, some on private, some on state owned lots, on which the North Dakota Industrial Commission approved. 

The North Dakota Industrial Commission looked past the majesty of this step, looked beyond the site held sacred for thousands of years, and looked through the tragedy of conflict. In a series of public hearings, the ND Industrial Commission heard from landowners, historians, archaeologists, and tribal representatives. Despite overwhelming support from the public who went to the hearings, the ND Industrial Commission approved over fifty wells in the Killdeer Mountain conflict “study” area.


In a recent development, Basin Electric has requested to install a transmission line and substation in their petition ND PSC Case #: PU-11-696. This new line and substation are in response to the growing power requirements in northwestern North Dakota. Basin Electric’s plan calls for construction over two years in the Killdeer Mountain conflict “study” area beginning in 2014.


The North Dakota Public Service Commission recently held three public hearings in regard to Basin Electric’s proposal. Comments from the State Historical Society of North Dakota are luke-warm, acknowledging Basin Electric’s plan and that a future assessment of the cultural resources within the “study” area will mandate future projects.


A map of Basin Electric's proposal. 

On September 12, 2013, during the annual tribal summit hosted at United Tribes Technical College, tribal chairmen from the five tribes of North Dakota, the federally recognized Standing Rock Sioux Tribe, the Sisseton-Wahpeton Oyate (Lake Traverse Sioux Tribe), the Spirit Lake Oyate (Devil’s Lake Sioux), the Turtle Mountain Band of Chippewa, and the Three Affiliated Tribes (Arikara, Hidatsa, and Mandan Nation), signed a resolution opposing the disturbance of Killdeer Battlefield State Historic Site.  


The politics and value of Killdeer Mountain are still up for discussion. The battle for preserving Killdeer Mountain needs more voices from Indian Country to stand in unity with the landowners, historians, and archaeologists who want to save it.



Meanwhile, people are still going to Killdeer Mountain to pray. Prayer flags testify to a quiet but sure presence; native pilgrims ascend heaven’s step to pray. Hikers ascend too, maybe not in prayer, but to appreciate the stark beauty of this natural cathedral. 

A Dakota Woman's Love Story Not Yet Ended

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A self-portrait of Holly.
A Dakota Woman's Love Story Not Yet Ended
By Dakota Wind


Bismarck, N.D.– Late afternoon became evening. Cloudless and without a whisper of wind, the day drew itself to a soft and golden conclusion. The drive across town took longer than I anticipated. Lights and traffic conspired to slow me at every intersection. I pulled my little beast up to an apartment that had the look of the late 60s clinging to it.


I sauntered in and a stained weary rug met my feet. Not knowing exactly which apartment I was searching for, I ascended an equally stained and tired stair to the second floor and nosed around. The odorous scent of burnt hamburger and cheese met me there and took me back to the rez. I stifled a sneeze, blinked back a few tears, and followed the smell down the hall.


I found the door I was looking for and sniffed the air for lingering overcooked fare, and found it had dissipated. The door itself looked brown, heavy, and greasy like a paper bag after a frybread making session. Flickering light in the peephole and voices from the inside, one high and piping, the other in light-hearted admonishment, told me someone was home. I rapped my right knuckle lightly and quickly on the frybread door.



Emákiya, Dakȟóta Wiŋ Pe: Here I Am, A Dakota Woman
A little girl opened the door wide, her full smile infectious and as broad as her cheeks. Her mother Holly, a diminutive little thing, welcomed me and bid me to sit at her table. I entered and discovered not the smell of burnt food, but pizza fresh out of the oven.


She profusely apologized for some other non-existing smell as I took a chair. Vials of glass beads lay sprawled about her table top like a mad scientist’s lab complimented by a virtual forest of fresh flowers which stood artfully arranged on the center of the table. Holly was working on a pair of earrings; her daughter sat beside her learning the tradition.


Holly's daughter learns the craft at her mother's table. "It's cool to be Indian!" she excitedly shared. I agree.

We talked about the traditional crafts and shared history, before she told me about herself.


Holly was born and raised on the Standing Rock Sioux Indian Reservation. She lived there for most of her childhood and like many kids on the rez, entertained dreams of leaving. And, like those many kids back home, had a colorful childhood she wouldn’t trade for anything, “It’s all a part of who I am,” says Holly.


She holds an earring hoop in one hand, delicately picks bright cut beads with her needle, and deftly applies a line of beads in-between telling me her story. Her daughter goes back and forth between bites of pizza and following her mother’s lead. I watch Holly’s hands as she’s beading.


Holly works on an earring. She jovially refers to them as "Holly Hoops."

At first I watch her bead and notice only her skill and her choice of colors then I look closer and notice the scars on her hands. When Holly was younger, a drunk driver hit her in the parking lot of a bar, dragged under the car, and left her for dead. She suffered severe scrapes and friction burns, and nearly died.


She’s self-deprecating about herself and life story. “I used to be a party-girl,” she says. Holly is willing to share her whole story, but I don’t press her. She faces a rough past willingly and openly from her childhood on the rez to her own personal choices after college. That very self-deprecation is a virtue her people call Wo’uŋšila, the virtue and practice of humility.


Holly doesn’t regret the path to motherhood. These days she’s a self-styled hermit, though she does go out with friends and family every now and then, but she’s comfortable with life at home. She’s comfortable with life as a single mother. Holly entertains thoughts about having another child someday, but not just to have another baby. She’s particular about the qualities and virtues a man should practice.


Inyan He Paha, Rocky Buttes, Holly's great (x2) grandmother.

Our talk turns to her child, whom is named for an ancestor, a great-great-grandmother who fought at the Battle of the Little Bighorn. Holly is deeply proud of her matronly lineage and shares their stories. A striking black and white pictograph on her refrigerator tells the story of her ancestor. This strong line of women comes down to her and now her daughter.


I grew curious about how Holly came to leave the reservation. “I remember taking an aptitude test when I was fourteen. I scored high and a teacher of mine encouraged me to apply to schools off the reservation.” She lived boarding school style and stayed out east through college where she graduated with a four-year degree in Spanish and Latin American studies. She was set to travel the world.


Then two things conspired to bring her back to North Dakota. Holly broke up with a long-time boyfriend; a desire to return to her family, her people, and her homeland. She had the means and education to leave everything behind, but the long-held dream to leave suddenly fizzled. The call to the vast open plains, the call of the long hard winters, the call of sizzling summers, the call to rediscover friends and family became too much to overcome.


IštíwaŋyaŋkA: To Lay One’s Eyes On Someone
This spring Holly made a trip to Albuquerque, NM to attend the 2013 Gathering Of Nations. She’d never been there before and knew only to expect that it was big. It was getting on evening and the pow-wow was winding down, winners were announced, and singers were singing their last songs of the celebration.


Gathering’ is held in The Pit, a basketball arena which serves as the home of the University of New Mexico Lobo b-ball teams and seats about 17,000 people. The annual pow-wow features artists and vendors from across Indian Country. It is one of the largest pow-wows in North America, and deserves to be taken in at least once.


Some people go to pow-wow to see the dancers, to hear songs, to see old friends and to make new ones. Some go for the food and vendors where they purchase beads by the kilo, or buy other materials – raw or finished traditional crafts. Some go to “snag,” as they say. “Snag” or “snagging” is a popular vernacular term found in native households referencing the expression of indulging in the attraction of the opposite sex. For the young it is almost a sport in itself.


Holly went to the pow-wow to experience the music, watch the contests, and take in the vendors. At about six in the evening, Holly and a relative of hers descended into The Pit. She recited the story by rote, “We were looking for a place to sit, and found a spot about five rows from the bottom as we were stepping down.” Holly didn’t anticipate that she would exchange a glance with a stranger.


This is Holly's perspective of The Pit. 

It’s been months since her soulful visual exchange with the unknown man, yet she remembers that he had a golden tawny complexion. Dark brown eyes hooded under thick dark brows. “Bushy ‘caterpillar’ eye brows are a handsome feature,” she says. The focus in her eyes no longer on her beadwork but distant, as though she was standing there again at Gathering’.


The mystery man wore his dark wavy hair loose. I suggest that the wind settled his hair upon his shoulders just so. She smiles and says, “You don’t see native men wearing their hair like that,” her voice a matter-of-fact. Holly speculates that maybe Mr. Mystery is a dancer, perhaps traditional or fancy. He was fit, and wore a light blue button-down-the-front long-sleeved shirt above dark trousers. His cheeks were high, like most native men, in a somewhat oval-shaped face, but his cheeks weren’t sunken nor was his face angular or planes. His profile was striking. A bold strong nose, but not overpowering. A strong forehead, but so big or broad that you'd high five it.


His complexion and dress gave the impression that he cared about the way he looked. He was neat and clean. He didn’t swim in cologne as young single men are wont to do, and if he did, it was worn off by day’s end, or had blended in entirely by the large crowds at the pow-wow.


Maybe he was in his twenties or thirties. Holly didn’t see him smile, but she speculates that if he did, he’d have all his teeth and they’d be white. I’m embellishing her expectations here a little, but she imagines that if he did smile, he may have dimples.


He was medium in height, but Holly has a small stature, so she pretty much stands in the shadows of others. There isn’t much more that I can wring out of Holly regarding her description of the mystery man, but it was his penetrating soulful look, eye-to-eye, that she remembers most.


He looked at her as she walked down the stairs at Gathering’. He looked deeply. I speculate here to fill in the other side, but his look probably held no lust, nor judgment, two things women can tell in a man’s eyes, a man’s look.


I asked Holly how she would feel if things happened the other way around. What if he created a FaceBook page with the intention of looking for her? It’s a romantic notion, “I’d feel flattered,” she says, “I think that as our culture has changed, romantic expression has changed.” She’s careful however. Holly has exchanged phone numbers with online would-be suitors, but connections turned desirous, “send me a picture,” some men say and want more.


Perhaps a soulful look between one woman and one man is all that was meant to be. I would say that it was beautiful, but beautiful in the sense of the old-world renaissance connotation: beauty required a sense of time, place, and illumination.


The Lakota call this IštíwaŋyaŋkA, which means “To Lay One’s Eyes On Someone.” For a moment I imagine Holly in the days of the ancestors. I remember a story of a woman who met a young man, her camp moved at the end of the inter-tribal rendezvous, on impulse the woman returned to the site only to find the other camp had departed. That young woman composed a song to remember her mysterious encounter. Holly’s that same woman. Only this time around instead of composing a song, she started a page to remember her encounter.


IštíwaŋyaŋkA pelo. It happened that two kindred spirits met on the field and beheld in one another in one moment all they could want, then the moment passed, and it was over.

Philip Deloria Returns To North Dakota

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Philip Deloria Returns To North Dakota
An Author And Scholar In His Own Right

By Dakota Wind


Grand Forks, N.D.– I came awake at four in the morning. Sleep sand still thick in my eyes, I managed to roll over and turn off the alarm on my iPhone. I had set it to play “Thor Kills The Destroyer” rather than listen to a blaring alarm so damn early in the morning. I let the song play through completely before tapping the screen, then stretched hard and yawned loud. I rolled into some clothes I set out before I crashed.


I hit the road at 5:00 in the morning. Traffic was light and I managed to gas up my little beast and take to the Interstate in a few minutes. I put on my Def Leppard playlist and before I knew it, the sun was up and I was in Fargo.


In Fargo, I picked up blogger, world traveler, archaeologist, and historian Aaron (The Edge Of TheVillage) who joined me on this day trip to Grand Forks to meet and hear Phil Deloria, author and historian. Phil came to the University of North Dakota as a guest lecturer for a few days and though Deloria and I had conversed online for several years we had never met in person.


Aaron and I stopped in at some hotel where Deloria was staying at and had brunch. I ordered a round of biscuits and gravy with a pile of whipped scrambled eggs and a couple rashers of thick bacon. I have never tasted such fresh biscuits, which were somehow flaky, and with a creamy gravy to go with it. I swear the food tasted like the chef loved his job. I washed it all down with a hearty drought of sweet grape juice.


Aaron probably had bread and water or something.

I informed Phil we were at the hotel café and he joined us in the lobby. The floor of the halls and lobby were naked tile. Naturally, noises magnified and echoed back and forth, a clatter of dinnerware and silverware sounded like a crash of thunder. Banter amongst the hotel and café staff sounded not dissimilar to a country henhouse.


Phil’s great-grandfather, the Rev. Philip Deloria, was an Episcopal minister on the Standing Rock Sioux Indian Reservation, as was Vine Deloria Sr. My grandfather, Innocent Goodhouse, served as an Episcopal minister too, his time overlapped with the Delorias. Our families used to be close. Ella Deloria, was my mother’s god-mother. Time, distance, and vocations called Vine Deloria Jr. and his son Phil to the ministry and interpretation of American Western history.


St. Elizabeth's Episcopal Church, Wakpala, SD, where Philip Deloria and his son Vine ministered to the Lakota people.

We talk about shared family history, and our families today. It is the Lakota custom to introduce one’s self by lineage, but as Phil and I already know the other’s family and background, we move on to the heart of our visit: the 1863-1864 Sibley-Sully Punitive Campaigns against the Sioux. Deloria’s great-grandfather, Philip Deloria, was the son of Mary Sully, who in turn was the daughter of General Alfred Sully, the antagonist behind the conflicts at Whitestone Hill and Killdeer Mountain.


I ask Phil if he had any family history about General Alfred Sully and why he left his Dakota family behind. He is a straight-shooter in this regard, and says straight up that he doesn’t know. If there was a story, it probably died with Mary.


Phil is working on a family history project, something his father had also tackled. Over coffee and juice (because I don’t drink coffee), Phil shares the story of how his grandfather Vine Sr., met his grandmother through Vine’s sister, Ella. Ella herself, had assumed leadership of the family and thought that she’d always be the one to take care of her little brother Vine.


General Alfred Sully. He had a daughter with a Dakota woman, Mary, then left them. One can read about Sully in the book No Tears For The General by Langdon Sully, another of Sully's descendants. The book omits the general's Dakota wife and child.

Phil’s family studies un-apologetically does not include much of General Sully story, other than a brief mention of how an ancestor of Phil’s, Saswe, crossed paths with Sully. Saswe had a vision before the 1862 Minnesota Dakota Conflict that he would kill four of his people, a terrible choice, a lesser of two evils to preserve as many of the Dakota people as he could.


Saswe went into a camp of Dakota, explained that Sully was coming, and that it was his destiny to kill four of his own people. Saswe killed a man after the people listened to him out, and later three others. General Sully took a Dakota woman and had a daughter by her. Saswe had a son, Tipi Sapa, Black Lodge, also known as Philip J. Deloria.


“My grandfather always got a charge out of that,” shares Phil, “The children of two antagonists married one another.”


Though Phil is descended from General Sully, I asked him if he is descended from any of the people who Sully attacked the Dakota at Whitestone Hill or the Lakota at Killdeer Mountain. Phil is not certain, he says, and would have to conduct further research into his background. He does say, however, that one of Saswe’s wives, was from Standing Rock.



I ask Phil about Killdeer Mountain and the energy development currently taking place there and if he’d be able to be there for the 150th commemoration. He teaches a late summer course and his schedule may be tight and it may well be that he can not make it.


Phil is named after his great-grandfather, the Rev. Philip J. Deloria. Among the Dakota and Lakota people, they take everyday legal names and go about their business in the land of the brave, but many keep the traditional names too. Rev. Philip was known among his people as Thípi SápA, Black Lodge.


Phil’s grandfather, the Rev. Vine Sr., was known among his people as OhíyA, Win or Triumph. Vine Jr. carried not just his father’s everyday legal name but also his traditional Lakota name.



Phil comes from a legacy of ministry. His father was a lay reader as well, but answered to the call to indigenous native rights and public education of those rights; among Vine Jr.’s works are God Is Red and Custer Died For Your Sins.


Phil heard the call to action and has pursued a doctorate in history. He is the author of Playing Indian and Indians In Unexpected Places. He is a professor of history and Native American studies at the University of Michigan. Phil carries his family history to his field of work. He can’t not when he’s talking about native studies, especially contemporary native studies in the age of self-determination.


I ask Phil if he has a Lakota name, expecting that he’d tell me he carried his great-grandfather’s Lakota name. He smiles broadly and lets out a small laugh. “My grandfather called me Pšíš,” he said, “It was my grandfather’s boyhood name.” I wonder a moment if Phil liked onions when he was a boy. Pšíŋ is onion, and Pšiŋšíčamna is wild onion.


Gratify yourself and get a copy of Philip Deloria's "Playing Indian."

Our time draws to a close as Phil’s ride to the UND campus arrives. I catch him later to sign my copy of Playing Indian, “Tehansi [male cousin], so great to have connection, and good talk. Hope you enjoy this! Phl Del.” 

Broken Bone Lake Also Known As Pleasant Lake

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Nearby Broken Bone Hill, west of the lake, overlooks Broken Bone Lake, ND. 
KAȞÚĞA MNí: TO-BREAK-IN-TO [as in “BONE”] LAKE

PLEASANT LAKE NATIONAL WILDLIFE REFUGE

By Dakota Wind


Rugby, N.D.– East of present-day Rugby is the Pleasant Lake National Wildlife Refuge. In the early days of statehood, settlers to the area and noticed this modest tree-lined lake. The natural features and shade of the lake seemed agreeable to the settlers and they named it Pleasant Lake.


The Dakȟóta who lived in the area and who, up until the reservation period, hunted in the area, camped frequently along this lake, finding it agreeable as well, and though they found it as pleasant as the settlers, had another name for it: Kaȟúğa Mní, which means To-Break-In-To [as in “Bone”] Lake, which was freely translated as Broken Bone Lake.


A woman prepares a hide.

After a successful hunt, the men returned to camp with their quarry where the women quartered and cleaned the carcasses. The hides were carefully stretched and fleshed. Some hides were fleshed and shaved in the sun, whereupon they became rawhide for parfleche boxes and moccasin soles. Hides which were fleshed and tanned with that animal’s brain became hides useful for creating clothing, or for other uses.


Meat is dried and prepared for use over the coming winter months.

After the meat was cut and drying on a rack, becoming “jerked,” and after the hides were prepared for tanning, attention was turned to the bones. The bones were split and broken open to acquire the marrow within, which was then boiled and consumed.


An antler pyramid on the Great Plains by Karl Bodmer.

Sometimes tools were made from the antlers of deer or elk, but sometimes not. In those times when deer or elk antlers were not used, they were piled into an “antler pyramid.” Those places with such pyramids indicated that a regular hunting site was in nearby.

Broken Bone Lake is part of the Pleasant Lake National Willdlife Refuge management area which consists of Pleasant Lake, Broken Bone Lake, Broken Bone Hill, Horseshoe Lake, and Mud Lake. 

The Spirit Of Autumnal Morning On The Northern Plains

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The Spirit Of Autumnal Morning On The Northern Plains
A Clean Beginning To A New Day
By Dakota Wind
Note: There are no pictures, only my description.
Missouri River, N.D. - When I went out to start my car this morning, I saw that the sun had not yet arisen. The far horizon was bright orange and pink, the north and south horizon was purple and blue. Most of the sun light was reflected off the clouds in the east from an even more distant sunrise. Because the rising sun was teasing in its great reveal, it seemed like time was frozen in perpetual twilight.

The morning made me think of late fall mornings back on the rez in the days of my youth.

The frost was frozen fast to the windshield of my car. It came off in a couple of passes with the scraper. The frost curled in about it itself like wood shavings. The curls gathered about the top of the window where my scraping stroke ended, there they gradually melted as the windshield warmed the interior.

I scraped in silence. Neighbors had already departed for work. Neighbors’ children had already left for school. My breathing the only sound accompanying the scraping came in puffs. When I was little I used to imagine there was a little fire within me that burned warm. I remember hearing once that long ago, the Lakota thought that the visible breath was also visible spirit. I was never scared that I would lose mine, the fire within somehow kept it close.

I stepped on my freshly shorn lawn cut only a few days ago, and the grass crunched beneath my shoe. The crunch of delicately frozen grass was too great a call to the little boy within me that I stepped some more just for the joy of it and left a trail of crushed steps across the lawn before getting back to my car.

The trees still have some leaves. Indigenous trees like the ancient cottonwood go from shiny green to yellow and then fall. In the summer when the wind blows through the cottonwood the leaves heave in a great constant shush, it’s like the sound of the ocean. The leaves may change color, but after they fall, they continue shushing until snow quiets them, and then the wind changes.

The wind is a constant presence. One can count the number of days without a breeze on one hand. In the summer, you might think that the wind would be a welcome presence on a hot day, but it blows the heat around like a furnace. In the fall, if anything can possibly carry the smell of cold and winter, it’s the wind. It smells cold and distant, but clean too. Any moisture that the wind carries a hint of always smells clean here on the prairie steppe.

Steam off the river filled the Missouri River valley as far up river and down river as the eye could see. Silent undulating waves of fog cascaded in slow motion in the early quiet. Tendrils of fog gently whipped at the confines of the river bank and a few managed to lick the air above the tree line. As a boy I remember being told the steam off the river like this is the spirit of the river, “The river breathes too,” my grandfather said.

A magpie stirred and took flight in the neighbor’s lawn and I’m reminded instantly that meadowlarks no longer wake me in the early pre-dawn. The magpie alights in a nearby tree giving me a view of its snowy white feathers on midnight black ones. The mix of black and white in a world of dawn color is noble.

The moon sets in a sea of deep azure and grey misty clouds in the western sky. Starlight is gradually snuffed out like a campfire, or a candle. The brightest stars twinkle for a moment or two and then quit for the day.


My car is ready and warm by the time I’m ready to get back in. 

Crying Hill: A Sacred Natural Landmark

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A view of Crying Hill from above in the 1930s.
Crying Hill: A Sacred Natural Landmark

Where The Hidatsa Became Two Tribes

Edited by Dakota Wind

Mandan, N.D.- In 1919, Colonel Alfred Burton Welch, a World War I veteran came to call the city of Mandan, N.D. home. There in Mandan, Welch began a new life as a store keeper, he also served as the post master, and founded the El Zagel Shrine. He spent the remainder of his life in the rolling hills of Heart River country along the Missouri River valley, and became fast friends with many of the Indian tribes there.


Captain AB Welch, seen here in his uniform from the 1898 Spanish-American War.

Welch became good friends with Chief John Grass. Grass was a distinguished Sihásapa Lakȟóta leader and veteran of the Sioux campaigns of the 1870s such as the Little Bighorn. Grass was known to the Lakota as Matȟó WatȟákpA, or Charging Bear. He had attended the Carlisle Indian School and became fluent in English to help his people fight the government in the new battlefields, the courtrooms. In March 1913, Grass adopted Welch as his son and bestowed on him Grass’ own name of Charging Bear.


While Welch lived in Mandan he took in all the lore about the site and more, and recorded as much as he could. One of those site stories he recorded was about the village and people who lived in the Mandan village along the Heart River near to Crying Hill.


Andrew Knudson painted this scene of the Corps of Discovery entering Black Cat's village near Knife River. A similar village would have graced the banks of Heart River below Crying Hill. That village was known to the Mandan as Large And Scattered Village.

The Mandan Indians have lived along the Upper Missouri River for about a thousand years and longer if you take into account their emergence story south of Mandan.


According to Welch, or the stories he attributed to the Hidatsa, Crying Hill is where the Hidatsa split into two distinct tribes. Welch uses the term Gros Ventres to name the Hidatsa. Here’s the story, Feb. 24, 1925:


The Gros Ventre were divided into two bands, and each of these bands followed their own chiefs. One starving winter-time they were reduced, by the absence of game and the failure, or destruction, of their crops, to eating the red seed pods of the wild rose bushes.


But, at last, through the prayers of a holy man among them, one lone, rogue buffalo bull, lean and staggering, wandered close to the village. He was chased and fell in the exact middle of the Heart River. Upon being dragged to the shore, it was decided that the meat should be divided in two equal portions, each band obtain the same amount of meat, bone and hide. When the division was made, one band was aggrieved and claimed that the other party had obtained the fatty portion of the stomach, while they had only the lean part.


The aggrieved band then decided that they would leave the other and go into a country which they would discover, and where they would be their own hunters and use their kill as they saw fit to do. Consequently this band did leave, traveled southwest into the country west of the Black Hills and east of the Big Horn Range, which territory they secured and where they have maintained themselves ever since that day.


These are the people known today as the Crows. They frequently come to visit the Gros Ventre; speak the same language and accept each other as cousins or relatives, but the real Gros Ventre call the crows the “Jealousy People,” on account of the separation, long ago.


Crow Indians Firing Into The Agency by Frederic Remington.

A variation of the story about the separation of the Hidatsa into two tribes came a few years earlier by way of Joe Packineau, Dec. 3, 1923:


“Crow Indians are Gros Ventre. I will tell you how it came about that they do not live together now. “That Indian village site in Mandan, we call it “Tattoo Face.” It is not Mandan village, but Gros Ventre or Hidatsa.


“There were two brothers born in that place a long time ago. One had a tattoo mark on his face like a quarter moon. It started on the cheek and ran down across the chin and up on the cheek on the other side of his face. So the people called him Tattoo Face. He became a very famous man among the Gros Ventre.  His brother was all right, and he was named Good Fur Robe. He also became a very great man and a wise man.


“Good Fur Robe was the one who had the corn seeds first. He gave one grain to each person and told them how to plant and look after the plant. Tattoo Face had tobacco before anyone else.


“Now the best part of a buffalo is his paunch. It is nice to eat. One time there was one buffalo which they killed right in the river there. He dropped dead in the middle of the Heart River when he was killed. The people drew him out for they were hungry. Good Fur Robe was the biggest chief, so he took the paunch when they divided the buffalo up between the two bands.


“That made [the] Tattoo Face people mad so that band decided that they would go away. They did go, and made their home in the country west of the Black Hills after that time.


“People call that people Crows now. But the Hidatsa do not. We call them “The Paunch Jealousy People.”


So the place where these people separated from the Hidatsa, is the Heart River at the Crying Hill (or Tattoo Face Village) which was Gros Ventre. The Mandan lived there too after that, I think.”



Crying Hill is located within the city of Mandan, ND. In 2003, Patrick Atkinson purchased Crying Hill in efforts to save the heritage site from further development. Read about Atkinson’s efforts to preserve Crying Hill

The Wind Is The Spirit Of The Great Plains

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Tȟaté’káoškokpa (Canyon Made-By-Wind), or Wind Canyon, along the Heȟáka Tȟa Wakpá (River Of Elk; Little Missouri River) in Makȟóšíća (Badlands, N.D.; Theodore Roosevelt National Park).

The Wind Is The Spirit Of The Great Plains
The Sky In Spoken Word, Pictograph, And Sign
By Dakota Wind
THE GREAT PLAINS - The wind has been a constant presence on the open prairie since creation, and has shaped the landscape with its caress. It races across the open sky with the summer and winter storms, and flows about the landscape playfully, fitfully, and angrily. It is the very essence of the Great Plains.


The Lakota have several words for the wind and its attributes such as tȟaté (air in motion), uyá(to blow leeward of the wind), kaȟwókA(to be carried along with the wind), ikápȟaŋyaŋ(to be beaten down by the wind, as with grass) or itáglaȟweya (with the wind). When a strong wind is present, or suddenly appears, during prayer or at a gathering, the wind might even be referred to as takú wakaŋ škaŋškaŋ(something with great energy is moving). A whirlwind is called tȟatéiyumni, which some regard as a sign that a spirit is present.


There is only one word to describe a windless day, ablákela(calm or quiet).


When the wind blows cold, such as it does in the winter months, the Lakota refer to it as tȟatóšni. The cold winter wind had a story of its own, and in the days of legend, before steamboats and trains, before soldiers and missionaries, when the camps moved across the prairie steppe in the fall to establish winter camps, they told the story of Wazíya, that which some call a giant, or the Power Of The North. Wazíya blew his cold breath across the world.


They say as the summer wanes and turns to autumn, the wind changes with the weather. That change in the wind is the breath of North. The cold was and is deadly, never to be feared, but respected. The North spreads his robe across the sleeping land. The North makes hunting game easier to track. In fact, the Lakota used to dance in snowshoes in the blanket of the first snowfall. They rejoiced in the weather and embraced the deep cold.


Sometimes the winter seems like it will never end, even for people who’ve lived here for thousands of years. Gray skies smother the light for days on end. Everywhere the land is monochrome. Months without color took its toll on the people. These days it’s called Seasonal Affective Disorder (SAD).


For the Lakota people, even the winter holds the promise of light and hope.


On cold days one might see what they call a sundog, but its not every cold day that features a sundog. The ancient Greeks called it a “mock sun.” The Romans called it a “double sun.” The English in the early 1400s said the sundog was a representation of the Holy Trinity.


This Campfire-Of-The-Sun is seen here above the Mníšoše (Water-Astir; Missouri River) and Iŋyáŋ Wosláta Oyáŋke (Where Standing Rock Dwells), the Standing Rock Sioux Indian Reservation 


The Lakota call the sundog Wíačhéič’ithi which means The Sun Makes A Campfire For Itself. The story of this beautiful name for this awesome phenomenon comes to me from   Cedric Goodhouse: A long time ago the people experienced several days of bleak grayness. People began experiencing bad dreams and others became depressed. It was the bad dreams that haunted the grandchildren that moved a grandfather to leave his village to pray for an end to the grayness. When he returned he called everyone in to the center of the village and selected two groups of young men to go the east of the camp and build two campfires. They did as they were told and returned to the camp where the people prayed. A lightening of the grayness indicated that morning had arrived. The clouds broke and the sun burst through the grayness. As the sun rose above the horizon, the campfires ascended into the sky with it. The people rejoiced and sang.


Just as there are several words for wind, the Lakȟótahave some words for clouds, which are of the sky. Maȟpíya in itself is a reference to the sky, or heavens. Maȟpíya tȟó, is the blue sky. Maȟpíya šápe is dark clouds. Maȟpíya akáȟpA is a cloudy overcast. Maȟpíya naȟléčA literally “the sky tears,” is a reference to a cloud burst of rain. Maȟpíya okáksaksa is partly cloudly. Maȟpíyaya is cloudy. Čhumaȟpiya means “dew clouds” or “vapor clouds.” Op’óis a cloud of dust or steam. OkpúkpA is cloudy, hazy, or unclear. Makȟóp’oyais a cloud of dust.


When the Christian missionaries arrived they needed to articulate the Kingdom of Heaven, and coined the term Maȟpíya Wókičhuŋze, which literally means “Kingdom of the Sky.”


The northern lights mean something very special to the Lakȟóta. Maȟpíya tȟaŋíŋ is the northern lights, but is literally, “Buffalo-hair Sky.” Wanáği Tȟawáčhipi, a reference for the northern lights meaning “Dance Of The Spirits,” and there’s a story, or experience, about out there but it won't be shared here. Haŋwákȟaŋ, another word for the northern lights, literally means “Night With-Energy.” It was a tradition of some Lakȟóta to burn incense, sweet-grass or cedar, when the northern lights appeared.


Sometimes, just as there is no wind, there are no clouds in the sky. There are a few ways of describing a day without clouds: Maȟpíya waníče, there are no clouds. Waŋžíla Tȟo, blue oneness or complete blueness, or tȟowáŋžiča, the sky is blue.


In the spring or summer, storms or rainfall strikes in daylight. The Lakȟóta have the tradition that the Wakíŋya, Thunder-Beings, bring the storms, but not just to bring rain. Lightning flashes from their eyes, claws, and wings. With lightning and rain the Wakíŋyacleansed the earth and destroyed or perhaps chased out the negative entities which settled into the lands. At the end of daylight storms the plains are treated to rainbows stretching from horizon to horizon, a grand arch reaching to heaven.



The Lakȟóta refer to rainbows as Wígmuŋke, A Snare. It is said that the wígmuŋke, causes the storm to end by trapping it, so that no more rain can fall. No one points at wígmuŋke with their fingers, but use their lips or elbows if they gesture to it.

In the spring, the wind signals another change. The Lakȟóta call this wind Niyá Awičhableze, The Enlightening Breath. This is the first spring wind upon which the meadowlarks return. It’s the time of year in which the Lakota carefully watch for the ice to break on the Mníšoše, the Water-Astir (Missouri River), the geese return, and when the bison bear their calves.


One of the names that the Lakȟóta people have for the courting flute is Wayážo, which means To Play A Flute. It is the essence of the wind. Flutes are traditionally made from red cedar. The heart of the wood, the soft red center, is removed with the intention of that space becoming filled with the flute-maker’s own heart. Breath flows through the flute and the wind carries its haunting song.


Tȟokéya Inažiŋ (The First To Arise; Kevin Locke) here with his great-grandfather's flute, shares the flute tradition with youth on the Standing Rock Sioux Indian Reservation.


In a discussion with Deacon Terry Star, enrolled member of the Standing Rock Sioux Tribe, about the wind and the flute, Deacon Star shared that he heard the four winds were brothers who represented the four cardinal directions. The West Wind, according to how Deacon Star heard it, didn’t just bring the thunderstorms, but also played the flute.


The wind, clouds, northern lights, and rainbow are expressed in the non-speaking languages of the Great Plains too.


In pictography, the wind is represented by a series of straight lines ending in a curly-cue or wave, and more lines indicate the strength of the wind. A whirlwind is represented by a swirl of four lines spiraling outward from the center of a circle. Clouds are represented sometimes by a simple line drawing of a cloud, but generally clouds are almost always depicted with rain and lightning. An arch above a straight line is a representation of the sky above the earth.


A pictograph for northern lights may be represented by night (a darkened circle with a line running through it top to bottom; or other variant) and fire (above the image depicting night). A rainbow is depicted by a series of arches over a straight line.


Dr. Jesse Johnson makes the sign for good as he makes frybread at Camp Leslie Marrowbone.

In the sign and gesture language of the American Indians, there is a sign for wind as well. In a communiqué from Dr. Jesse Johnson, Blú Wakpá (Powder River), enrolled member of the Cheyenne River Sioux Tribe, the sign for wind takes a few forms, but its most basic execution involves holding the hands up, backs up at about shoulder height, fingers spread, and moving hands in a wavy tremulous motion in the direction of the wind.


Like pictography, the Plains Indian sign for cloud or clouds is inseparable from rain or lightning. The sign for rain consists of holding one’s hands up at shoulder height and drawing one’s hands down slowly two to three times. Kevin Locke, enrolled member of the Standing Rock Sioux Tribe, draws his hands down, backs up, and does “piano fingers” to sign rain. Lightning is signed by miming a jagged lightning pattern in mid air with either hand.


According to Dr. Johnson’s research into the Plains Indian sign language, the northern lights are depicted as “both hands, backs down, half closed, thumb and finger tips together, raised very high and spread with a sweep to indicate flashes. It should be done facing north.” Johnson adds that the sign is helped if the hands are swung apart in an arc at the highest point in executing the sign.


Wáǧačhaŋ (Cottonwood) on the floodplain of the 

Heȟáka Tȟa Wakpá.

The constant wind blowing across the open prairie steppe and through a vast open sky is a part of the Lakota culture, or perhaps it is that the Lakota are a part of the wind. They say that patterns on one’s fingertips indicate the direction the wind was blowing on the day of one’s birth.


On the vast open plains, grasses bow down and sway in motion as if in dance. Great cottonwood trees catch the winds and rattle their leaves in a deafening roar, like the crash of waves in the distant oceans. These ancient trees catch the smallest breeze and their leaves shush the world.


This is the Great Plains.


Terry Star is an enrolled member of the Standing Rock Sioux Tribe. His traditional Dakȟóta name is Ȟé Ská, White Mountain, after Mount Rainier of which the top of the mountain bears snow year round. He is a deacon in the Episcopal Church and is currently a candidate for the Master of Divinity at Nashotah House Theological Seminary in Wisconsin. Star was raised by his late grandmother, Lillian Ironbull Martinez in the traditions of the church and the Dakota. For several years he has served as a youth pastor on Standing Rock and has frequently called on the stories he received from Lillian and her friends to relate biblical ones to the youth.



Jesse Johnson is an enrolled member of the Cheyenne River Sioux Tribe. His traditional Lakȟóta name is Blú Wakpá, Powder River, after Čhaȟlí Wakpá, which means Charcoal River and is the proper place name of Powder River. Johnson graduated with his Ph.D. in American Indian Studies. In his spare time Johnson teaches martial arts. 


The Origin Of The Prairie Rose

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The Origin Of The Prairie Rose
The First Love Of Whirlwind
As told to Rev. Aaron Beede, Sept. 1, 1921

FORT YATES, N.D. - A long time ago, the surface of makȟá (the world) which is the blanket of Makȟóče (Grandmother Earth), was desert and held no beauty. Tȟatéiyumni (Whirlwind) had it for his playground.


And Makȟóče was sad at heart because her blanket had no beauty with flowers and living things with bright colors, and she said, “There are flowers in my heart. Oh, that they might be on my poor blanket. Ugly Tȟatéiyumni.” And when a flower of her heart, to please her, would go up onto her blanket, Tȟatéiyumni would rush for the flower saying, “What business has she in my playground of dust and storms?” And he would blow out her life.


At last Uŋžíŋžiŋtka (Prairie Rose), her mother’s darling flower, went up onto Makȟóče’s blanket by a water spring, and Tȟatéiyumni rushed upon her crying, “How sweet her breath is! And her dress is clean and pretty. I like her. It is not in my heart to blow out her sweet life. She may have part of her playground for her home and I shall name her Uŋžíŋžiŋtka.”


Then others came and Tȟatéiyumni liked them and played with them and became gentler, and then other flowers and grasses and trees came, and Tȟatéiyumni played with them and became still more gentle.


So the Dakȟóta put the colors of Uŋžíŋžiŋtka on their garments and lodges, and when Tȟatéiyumni sees this color he remembers his first love for Uŋžíŋžiŋtkaand he becomes too gentle to kill the people, though he sometimes plays with them boisterously.  


Makȟá: Earth

Makȟóče: Grandmother Earth

Tȟatéiyumni: Whirlwind

Uŋžíŋžiŋtka: Prairie Rose

The Council Of The Flowers

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Fragrant Water Lilly in bloom, S.D., photo by National Park Service.
The Council Of The Flowers

The Last And Lowliest Flower Becomes The Loveliest

As told by Mrs. Kick The Corn, 1915. (Note: Text has undergone some minor editing such as traditional Lakȟkóta names for the flowers.)

FORT YATES, N.D. - A long time ago all the Wanáȟča (Flowers) lived anywhere they happened to be. The Uŋžíŋžiŋtka (Prairie Rose), the Čhuŋwíyapehe Iyúwi (Wild Grape), the Waȟčázi (Sunflower), the Waȟpé Tȟó (Violet) and all the rest, lived side by side. They could not keep their families together. They were not pleased about this, so it was decided to hold a great council of the WanáȟčaOyáte (Flower Nation) and divide the land among them, so that each could have their own places to live in.


So they all gathered together in one place and each made a speech and ate of the feast which was prepared. After several days of speech-making and celebration, it was decided the Uŋžíŋžiŋtka should grow on the prairie in the sunshine; the Čhuŋwíyapehe Iyúwishould live among the trees in the shade; the Waȟpé Tȟó should grow in the shade of the cool, moist forest places; the Waȟčázi should grow along the hot, dusty trail and all the other Wanáȟčaand Čháŋ (Trees) should have his own place.


Then the council broke up and everybody started home. But a poor, ill-favored Wanáȟča came limping into camp just as the WanáȟčaOyáte were going away.  It was tired, hungry and almost dead. It had had so far to come to the council that it had not arrived in time to present its claim to any ground to live in.


They decided to hold another council just for this poor Wanáȟča. But there was no other place for it to have, as all the ground was gone. But Iŋktómi (Spider) spoke with wisdom and said that there was some ground which had not been taken. This should be the poor Wanáȟča’s home, and on account of it having come so far and being so tired, he would call upon the Iŋktómi Oyáte to make it the most lovely Wanáȟča on Makȟóče’s (Grandmother’s) blanket.


So everyone was satisfied and the council broke up again and the WanáȟčaOyáte went to their new homes. The Waȟpé Tȟó went into the cool, shady places; the Waȟčázi joyfully went to the dusty trails; the Čhuŋwíyapehe Iyúwistarted to climb the great trees; the Uŋžíŋžiŋtkafound a warm spot under the sun out on the prairie; and all the rest found their new places.


The ill-favored, stinking, little Wanáȟča which had come last to the council, then went to its new home in the ground beneath the waters of the ponds and slowly-moving waters of the small creeks, and grew to be the most beautiful of all flowers and, with the most pleasing breathe.


It is now called Mniȟčáȟča (Water Lily).


Wanáȟča: Flower

Uŋžíŋžiŋtka: Prairie Rose

Čhuŋwíyapehe Iyúwi: Wild Grape

Waȟčázi: Sunflower

Waȟpé Tȟó: Violet

Oyáte: People or Nation

Čháŋ: Tree

Iŋktómi: Spider or Trickster

Makȟóče: Grandmother Earth
Mniȟčáȟča: Water Lily

Expressions Of Gratitude: Thank You In Speech And Sign

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"Hand Talk, or Plains Indian Sign Language, existed from Mexico to Canada," says Dr. Jesse Johnson, enrolled member of the Cheyenne River Sioux Tribe, author of map.
Expressions Of Gratitude

"Thank You" In Speech And Sign
By Dakota Wind

GREAT PLAINS – Kevin Locke, enrolled member of the Standing Rock Sioux Tribe and emminent flute-player and world renowned hood dancer, finished his program with a recitation of White Cloud’s “An Indian Prayer” with a demonstration of the Plains Indian sign language.


Accompanying Locke was Reuben Fast Horse, also an enrolled member of the Standing Rock Sioux Tribe and a traditional singer and flute-player in his own right. Fast Horse is also a hand-talker, or signer, of the Plains Indian Sign and Gesture language, the world’s first universal langauge.


The program came at the latter end of November, close to the national American holiday known as Thanksgiving. In North Dakota, the entire month is designated as Native American Heritage Month. The program, in Locke’s and Fast Horse’s execution, bespoke of the universal thread that is humanity in language, song, story, and dance.


I turned to Fast Horse as Locke was taking a few questions on stage and asked how one signs gratitude. Fast Horse set his hand drum down on the table he was seated at and extended his arms up and out and shoulder level, fingers extended and gently curved, palms out, and patted his hands downward to about waist level.

Locke uses the same gesture to express gratitude. He learned from his mother, Patricia, who was also a signer. The gesture is synominous with respect to someone or something.




Marland Aitson, Kiowa, demonstrates the sign for "thank you," from George Fronval's "Indian Signs And Signals."

Cedric Goodhouse, and his wife Sissy, both enrolled members of the Standing Rock Sioux Tribe and keepers of the living culture, offered a program of their own in Bismarck the previous week, also to commemorate Native American Heritage Month. Afterward, I asked about methods of expressing gratitude. One might say philámayayA or philámiya pó, the first an expression of gratitude to someone, the second is the way a man would express his gratitude to someone. The phrase wóphila, an expression of thanksgiving or appreciation, can be used to express common thanks, but its usage is acquainted with blessings and prayers.


During the Sioux Wars of the 1870s, a military officer named William Philo Clark was sent to Dakota Territory. There he personally lead commands of Crow, Pawnee, Cheyenne, Shoshone, Arapahoe, and Lakota. In the evenings he witnessed entire conversations pass with no difficulty among people who spoke different languages. Clark was stationed at Red Cloud and Spotted Tail Agencies then was assigned north, either to run mail or manage another detachment of US Indian Scouts, but he found himself among the Mandan, Arikara, Assiniboine, and Bannocks, and he found that the Plains sign and gesture langauge a reliable method of communicting.


In 1881, General Phil Sheridan assigned Clark to submit a compilation of the Indian sign and gesture langauge to the military, a comprehensive work that eventually became known as The Indian Sign Language. Within this work is an entry for gratitude.


Clark recorded that the concept of gratitude as he learned it as, “You have taken pity on me; I will remember it, and take pity on you.” The sign is as follows: hold the right hand near the heart, thumb and index nearly extended, palmer surface near ends pressed together, other fingers closed; move right hand outwards (which represents something drawn out of the heart; this means “thanks”); followed by the sign for “Give,” which is as Locke and Fast Horse articulate gratitude through sign.




Tompkins pictured here engaging in the Plains Indian Sign Language with the Lakȟóta. Tompkins was given the friendship name Waŋblí WíyutȟA, Sign Talking Eagle.


In the 1880s, William Tompkins was raised at Fort Sully, south of Pierre, SD, then in Dakota Territory, near what became the Crow Creek and Lower Brule Sioux Indian Reservations. Tompkins put together his own book with accompanying illustrations about the sign and gesture langauge, but also including a little of the pictographic langauge and even a page on smoke signals.


Tompkins book, Indian Sign Language, published in 1931, concurs with Locke’s and Fast Horse’s method of expressing thanks. Later publications, like Robert Hofsinde’s Indian Sign Language, and George Fronval’s Indian Signs And Signals, also correlate the method of articulating thanks used by Locke and Fast Horse.


Another non-native, Alfred Burton Welch, was born on a homestead near Armour, SD (then Dakota Territory) in 1874 to a traveling Methodist minister father. The Welch family moved to Tacoma, WA. AB Welch went to university in Puget Sound, then served in the US Military in the Philippines. Welch moved to Mandan, ND but maintained his military service in the National Guard. While in Mandan, Welch grew close to the Sihásapa(Blackfeet) Lakȟóta, in particular, Mahtó WatȟákpA (Charging Bear), also called Chief John Grass who fought in the Battle of the Little Bighorn. Grass grew fond of Welch, so fond in fact, that he adopted Welch as his son in the Huŋká(Making-Of-Relatives) ceremony.


While Welch became familiar with the Lakȟóta on the Standing Rock Sioux Indian Reservation he recorded several stories and even took a few notes about the Plains Indian sign and gesture language.


In Welch’s notes is mention of how one articulates gratitude, which is described as follows: draw one’s hand (left or right) over one’s face, touching the forehead and then down below one’s chin. This method of signing gratitude, as it was recorded on Standing Rock in 1919, was accompanied with the interjection hahó hahó, which means  delight, gratitude, or joy. Welch recorded that signers would accompany the gesture with the interjection of hayé hayé, which also conveyed gratitude but was/is addressed to the Creator.


The Lakȟóta also say and accept thanks in English too, and offer a warm handshake.


It is especially good luck to gift a Lakȟóta twenty dollars. I’m just kidding, it isn’t. But if you gave me a twenty I’d be grateful. 

No Two Horns' Narratives Of Apple Creek Conflict And Burnt Boat Fight

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The Episcopal priest, Aaron Beede, in Fort Yates, ND, collected this piece authored by No Two Horns. The story: No Two Horns entered an enemy village, likely Crow as indicated by the hair style of the Indian peering out of his lodge, and has successfully stolen two horses. 
No Two Horns’ Narratives Of 1860s Battles

1863 Apple Creek Conflict & 1864 Burnt Boat Fight

By Dakota Wind

BISMARCK, N.D. – Chances are that if you have ever visited the North Dakota Heritage Center you may have come across the works of Hé Núŋpa WaníčA, No Two Horns. No Two Horns is listed by the State Historical Society of North Dakota and by Standing Rock Tourism as being Húŋkpapȟa Lakȟóta.


Like many Plains Indian men, No Two Horns had another name, Kimímela Ská, White Butterfly. No Two Horns was said to have been born in 1852, or earlier. His father was Ištá Sapá, Black Eyes, who was also known as Wasú Šá, Red Hail. No Two Horns was a master artist of the Plains Indian pictograph and many of his carvings serve as evidence of a graceful careful hand. By his own account, he was quite a horse thief in his youth, and a veteran of the Little Bighorn fight.

In May of 1924, Col. A. B. Welch, adopted son of John Grass, met with No Two Horns and others ostensibly to talk about the Burnt Boat Fight between the Lakota and a group of miners who descended the Missouri River and beached their vessel on a sandbar. One story has it that the miners caught a mother bathing her child nearby and overcome with lust, raped her, and then killed her and her little one.


No Two Horns explained to Welch how the Burnt Boat Fight came about after explaining how his band of people came to be engaged there the summer following the 1863 Apple Creek Conflict.


Here is an excerpt of Colonel A.B. Welch’s War Drums (Genuine War Stories From The Sioux, Mandan, Hidatsa, And Arikara). Only minor edits have been made to the Lakȟóta text within Welch’s paper:


I have often heard several men of the Sioux make veiled remarks about this (1864) incident for some years before I finally succeeded in obtaining a story regarding it. The Indians appeared to be reticent about discussing it, apparently being afraid that they might be punished for it even at this late date, after treaties had been signed in which all acts of hostility had been mutually forgotten and forgiven. However, when I talked with them regarding the Sibley Expedition, I began to get more of the facts as the Sioux knew them.




"The Sibley Campaign 1863," by depression era artist Clell Gannon.

There are many men alive today, who were young me at that time and who were fighting at the Big Mound north of Tappen, Dead Buffalo Lake north of Dawson, and along the trail from there to where the Indians were forced across to the west side of the Missouri river, at Sibley Island. It is from these old men that I have the information as herein given, as well as stories told to me by several white men and Mandan and Arikara, who were in a position to know much regarding this affair.


The story of the white boy captive and his tragic death appears to be authentic, although I have never been able to get an Indian to tell us positively that it is a fact. Nevertheless, they will not contradict the statement and many have said that they understood or had heard about the boy and that he had died soon after the fight. They intimate that his death was caused by the hysterical demand of the woman, who cried for revenge to “cover the body” of Ištá Sapá (Black Eyes, the father of No Two Horns) who was killed in the battle. I had tried to obtain trace of this boy for years, before I finally was convinced that, if he was actually taken prisoner, he lost his life in some strange manner, soon after.


As no one of the white party survived, it is not possible to obtain any but the Indian account of the actual affair, but the story of Mr. Larned, as given, indicates that the miners might still may have been under the influence of their wild time at Fort Berthold and quite likely had much liquor aboard the craft. Roughly speaking, it is about one hundred miles from Fort Berthold by river, to the place where they met disaster and the flow of the current is about seven or eight miles per hour. If the party were not hung up on some sand bar or did not land to hunt for meat, it would have taken them some fourteen or sixteen hours to have reached the mouth of the creek where they were killed. They probably landed for the night time upon some of the many islands, as there were Sioux upon the east, or left, band and Mandans, Hidatsa and Arikara upon the west, and it stands to reason that the miners would not have invited a night attach. Meat hunting would not have taken much of their time as game was very plentiful and they had stocked up with trader’s goods at Fort Berthold and would have been glad to eat “civilized food” again for a time. I believe that they left Fort Berthold early in the morning; spent that night in the vicinity of the mouth of the Knife River and were late in the next day.


The party was composed of some fourteen or fifteen miners, presumably all Montana miners from Alder Gulch ‘diggins’ (Virginia City). Dust worth several millions of dollars was taken out of this short gulch placer mining district, and the history of the rough times there is wonderfully told in “The Vigilantes.” Wilder men never gathered together in any spot, than there. The members of this party had cleaned up and were returning with their dust to the down-river points in 1864. After their wild debauch at Fort Berthold, and universally holding the Indian in contempt, it is easily understood how they maliciously fired upon the Sioux and were overwhelmed by them when their mismanaged craft struck upon a sand bar on the eastern shore near the Sioux camp. Who they were, or information regarding their family histories, will never be known, but there can be little doubt but that this party of wild frontier miners was completely wiped out by the Sioux, at the first draw north of the present Northern Pacific Railway Mandan-Bismarck bridge in the fall of 1864.


The map is from an 1890s survey of the Missouri River, about thirty years after the Apple Creek conflict. This reproduces the movements of native civilians & warriors, and Sibley's response. 

Hé Núŋpa WaníčA (No Two Horns), a Sioux Indian in whom I place much reliance as to historical data concerning that people, had told me that he was in the fight with the Indians who confronted Gen. Sibley from Big Mound to Sibley Island. He says that, after the Indians were safely upon the west banks of the Missouri, his band of Iháŋktȟuŋwaŋna followed the Heart river to its headwaters and passed on into the Bad Lands of the Little Missouri, and that a month or two later they started back with the intention of crossing again to the east side and spending the winter in their old territory between the Missouri and the James, known to them as “The Earth Dish of Wa’anáta.”


He states that one of the mouths of the Heart was north of the present Northern Pacific railway bridge and that they crossed at that place to the east side and moved up into the first draw, where there was fresh water and wood and where they camped for a time.  This deep, steep-sided gully was a well-known Sioux camping place, and from it travois trails led by east stages up to the high lands and thence by good roads, to the valley of Apple Creek, which they followed up into the Dog Den Butte country, up into the region of Sibley Butte and as far as “Wagon Wheel Hills,” north of Steele, at the east end of which the trail divided, the main route leading along the line of lakes and high choteau (sp?) and into the Čhaŋsása, or James River valley, and another trail bearing north and east of north toward the Mníwakaŋ or Devils Lake regions. This camp site was about a mile south of a well-known Missouri river ford, where passage might be easily made without bull boats or rafts, and which was the generally-used ford in the vicinity for all Indian parties. The west entrance of the ford was just below the United States Government harbor now known as Rock Haven, and required not more than one hundred yards of swimming in the main channel. Why this ford was not used by the party of No Two Horns, at that time, is not known to me.


No Two Horns says: “We were camped in that place then. There was much water flowing out of the hills and the feed was good. Our horses would not leave the grass and shade of the trees along the little stream. There was good wood in the timber there. Many deer were in the bottom lands and antelope up on the prairie. Down on Apple Creek there were many elk. We had much meat. We had been chased across the river by the horse soldiers from the east. We crossed then just above the mouth of the Little Heart. We got across easy. We killed some of the enemy there, too. We had been in the Mníwakaŋ country. We were not Little Crow’s people. We were looking for someone to come and thank us. Inkpáduta (Scarlet Point) and several of his men were in that camp. When we got to the river, they went north on the east side. We went across. We went up the Heart River. We went into the Good Horse Grass country (the Sioux frequently speak of the Bad Lands by that name). When the Indians who followed the horse soldiers came back, we started back to our own country. We crossed the Missouri at the mouth of Heart River then. That was where the railroad bridge is now. We went up to this water-grass place. My father was with me, too. He was an old man.”




"Mackinaw Boat Under Attack On The Missouri," by William de le Montagne.

“Then we saw a boat coming down the river. It had white men in it. We wanted to trade for powder, lead, guns, coffee and cloth. We had some fine otter pelts and other skins to trade.


We waved our arms and asked them to come and trade with us. They shot us then. They killed my father. His name was Ištá Sapá (Black Eyes). We were mad then. They fired guns at us. They were working hard at shooting. The boat run on some sand where the little stream run out. We killed them all then. We set fire to the boat and it burned to the water. We got their clothes and guns and kettles. Some yellow earth, we poured out of some little sacks. We did not know it was worth anything then. But it was gold. We buried my father in a lodge there. I can show you the place where it stood. We went away. They shot at us. We were friendly people.  The leader of the horse soldiers did the same thing. He made us fight. The Government always treated the people who fought the best. It was fall before the snow came. I don’t remember any more about that time by the little stream which flowed into the Mníšoše(Missouri).”




Thaóyate Dúta, His Red Nation (aka Little Crow).

It will be remembered that, at the time of the Minnesota Massacres (1863) by Little Crow’s Santees, many members of the Iháŋktȟuŋwan and Iháŋktȟuŋwaŋna divisions moved away into the Devils Lake regions, with the expressed purpose of keeping out of the trouble. They fully expected that the Government would send a messenger to them, to thank them for that action. They nearly starved during the winter and early in the spring were in the vicinity of Steele and Dawson, Kidder County, North Dakota, hunting buffalo when they were surprised by the advance of Sibley’s column.


Their own story is that they sent forward several old, honorable men to smoke with Gen. Sibley, and that these old men were fired upon by Sibley’s men and the fight started. Many of these friendly Indians were killed in the running engagement, but the troopers were, to say the least, perfectly satisfied to see the Indians cross the river, after which the soldiers returned to Minnesota.




Inkpáduta, or Scarlet Point, pictured here, went on to fight at the Little Bighorn. 

The hostile renegade, Inkpáduta (Scarlet Point), and about twelve of his men had joined this hunting party a few days before Sibley found them, but had already been notified by the camp soldiers, that he must go away at once. When the Indians neared the Missouri, he, together with his men, left the main body and slipping through the soldiers guard, succeeded in passing north along the east bank of the stream and went off into the Devils Lake region, and north, to be close to the Canadian border. The other Indians broke up into small parties after the crossing, and went into several directions, but the camp with which No Two Horns traveled, went into the Bad Lands, which they reached about August 15th, 1864. No Two Horns argued that the Government made peace only with those who fought against them, and that his people should have done so, under the thought that they would have been treated better if they had.

Standing Rock Legend, A Test Of Faithfulness

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"Standing Rock, The Sacred Stone Of The Sioux," by W.A. Rodgers.
Another Legend Of Standing Rock

A Tale Of Faithfulness During A Long Absence
By Dakota Wind

STANDING ROCK, N.D. – There are several variations of the story of Standing Rock, but all of them end with a woman transforming into stone. On the Northern Plains there are three tribes which have a Standing Rock story: the Cheyenne, the Arikara, and the Standing Rock Sioux. There is a different location associated with each story too.


The story of Standing Rock, in a way, mirrors the story of the horses’ arrival. There are several variations of the story of first contact with horses, and in different places too. The common element of the horse story is awe and a renewed sense of respect for the mystery of creation. No one story is right, and no one location is the exact one.


The stories of Standing Rock always end in the transformation of a woman into stone. Perhaps some long ago event about a woman who was universally beloved by the tribes of the Northern Plains inspired stories associated with all the feelings and angst of love and tragedy. One variant tells of the importance of obeying the supernatural, another of patience and waiting for a lost love to return, and here’s yet another version about infidelity. It was collected by Colonel Welsh in Fort Yates, on the Standing Rock Sioux Indian Reservation in 1915.


A previous version from Welch’s notes from the website Welch's Dakota Papers was featured here, but this version was tucked away in the AB Welch collection at the North Dakota State Archives. The date of this variant places the incident in 1833 along the Grand River on the Standing Rock Sioux Indian Reservation, while the Yanktonai Dakota version places the tale in 1740 near Cannonball River, also on the Standing Rock Sioux Indian Reservation.


"The Night The Stars Fell Over The Sioux Nation," by Eric S. Young.

A long time ago, the year the stars fell [1833], a young warrior took many presents, and laid them at the lodge of a family where a beautiful maiden lived. The father of the maiden came out, looked at the piles of valuable furs and beautiful ornaments, saw the slick slim limbed ponies, and his heart was soft within him. He gathered up the presents, carried them into his tipi, when he came out, he lead his daughter by the hand and presented her to this young warrior for his wife.


The young man, soon after, went away on an expedition against the Crows. He and his party were gone all summer and in the fall were caught by the early winter on the Yellowstone River and owing to the large body of captured horses the party was compelled to make winter camp. As early as they could move in the spring they started across the country and finally arrived at the village of their tribe. There was great rejoicing, dancing and feasts. The young man then went to the sundance and distinguished himself by dragging bison skulls, and prayed to become a great leader among his people.


The young man was eventually selected as chieftan over a small band.


For some reason, the suspicions of the young chief were aroused against his wife and she was compelled to consume a draught of bitter herbs, as a test. If she were innocent, it was believed that the herbs would have no effect upon her. If she were guilty, the drink would make her sick. She became violently ill and it was decided that she had been unfaithful. Accordingly, a procession was formed and she was taken upon the hill that stands alone.


In the presence of the entire tribe, the young chief pronounced a terrible curse upon her. The medicine men performed a mystical rite and the winds rushed and roared, rain and hail beat down with great fury, the sun became darkened – it was midday -, fire leapt out of the ground, and spirits were seen rushing through the air.


Fire Heart applies paint [red] to Standing Rock. Major James McLaughlin wrote that Fire Heart prayed for peace and forgiveness.

At this demonstration, the tribe, in great fear, fell down upon the ground, and when the terrible things had ceased, they looked, and beheld the young woman with a babe upon her back had turned to black stone. This stone thereafter was greatly regarded as sacred. 

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